“We’re living in a terrarium.”
Those were the first words I heard as I stumbled downstairs in the perpetually dark mid-morning gloom. Even my husband was beginning to feel the oppressiveness of the weather. We hadn’t seen the sun in weeks. Heavy rain had turned our yard into an Ichthus-like mud pit. The small lake abutting our property looked like the Mighty Ohio. I contemplated terracing my side yard into a working rice field.
With stubborn, heavy clouds trapping the persistent rain, it did indeed feel like living in a glass-cased terrarium. The abundant moisture condensed, fell, partially evaporated, and condensed again. There seemed to be no escape from the cycle.
We, fortunately, are not facing the critical, life-threatening flooding of other parts of Kentucky and the South. But my mood and my productivity have suffered during the most depressing winter I can remember. We’ve only had a handful of days where the overnight temperature dipped below freezing and the ground was even partially frozen. Walking the dog across the flooded fields in our neighborhood was, I imagined, like sloshing through a rice paddy. I wash piles of muddy dog towels every other day.
The weatherman, however, says there is hope. Tomorrow, perhaps, for the first time since February 2, we may glimpse the sun. According to my running log, the last sun before that was on January 16. No wonder I’ve been suffering. With partial vision loss, my days start off dark. When there is no natural light, I fall into an abyss.
A friend recently sent me an unfamiliar word I have now embraced: apricity. It means “the warmth of the winter sun.” Evidently the word was first introduced to our language in 1623, but it didn’t catch on. Today you won't find it in most dictionaries. But apricity is precisely what I’ve been craving for weeks. I’m almost giddy at the thought of it.
The word also reminded me of a scene in Next Train Out. Effie Mae is living with her children and her brother in a godforsaken coal camp west of Middlesboro, Ky. One day when she’s out and about she sees an unfamiliar man who ends up playing a key role in her life:
“It was late March, as I recall, and the sun had finally risen above the Cumberland Mountains. I found a spot in the sun’s warmth and just stood there, staring at the door he had entered. I don’t remember having no clear intentions. It was as if I was hypnotized by the warmth and the sight of a stranger.”
A little sun warms our blood and renews our life force. It gives us hope. It softens our hard edges. It prompts us to act. It may not solve all our ills, but it might provide the energy we need to renew the fight.
David Hoefer, of Louisville, is the co-editor of The Last Resort. If you would like to submit a blog post for Clearing the Fog, contact us here.
The Last Resort is about young men in the final stages of youth, an all-too-brief period of camaraderie in the leafy, rural backdrop of Anderson County, Kentucky. But that’s not all John Goodlett’s book is about. Pud’s letters home while training to be an infantryman and later witnessing the closing days of World War II present another important part of his story.
In the spring of 1945, he faced the desperate violence of Germany’s failing opposition, as well as the skeletonized horror of a newly liberated concentration camp. Evidence suggests that Pud was a good soldier if not exactly a natural one. In a letter from France dated 6 Feb 1945, he explains to his mother and sister that his life outdoors has prepared him well for living in muddy trenches and handling a rifle. Without doubt he was a successful soldier: he made it home alive, returning to civilian life.
I’ve been reading another, more extensive war memoir of an altogether different character. The book’s English title is Storm of Steel, and its author is Ernst Jünger, a German veteran of trench combat in World War I. By all accounts, Jünger was a natural soldier—born to it and unashamed of the role he played in battle. At the same time, he was a gifted writer, who left us what many consider one of the best accounts of Western Front warfare, that four-year spectacle of death and obliteration.
Storm of Steel is quite unlike the pacifist tracts and novels that were popular in the years following the war’s end. Rather, it is a sharply observant record of the day-to-day tedium, punctuated by chaotic, deafening menace, that defined the conflict, captured by Jünger without sentimentality or celebration.
I bring this up because of a passage early in the book that caught my attention. New to his deployment, Jünger is experiencing shelling from a French position for the first time. His unit is posted by a woods that has yet to be destroyed by the fighting. Of this he writes:
“Towards noon, the artillery fire increased to a kind of savage pounding dance. The flames lit around us incessantly. Black, white, and yellow clouds mingled…And all the time the curious, canary-like twittering of dozens of fuses. With their cut-out shapes, in which the trapped air produced a flute-like trill, they drifted over the long surf of explosions like ticking copper toy clocks or mechanical insects. The odd thing was that the little birds in the forest seemed quite untroubled by the myriad noises; they sat peaceably over the smoke in their battered boughs. In the short intervals of firing, we could hear them singing happily or ardently to one another, if anything even inspired or encouraged by the dreadful noise on all sides” (2004:27-8, trans. by Michael Hofmann).
Nature abides; the birds carry on despite the groundswell of violence, without the ability to penetrate any realm beyond immediate circumstance. Observations like these reimagine war as a kind of stupid, background static.
This passage made me think about Pud, who faced down his own difficulties in war. It recasts the contrast between a delight-filled ramble in the woods and a dangerous, cold night in a foxhole as a single, somewhat enigmatic incident. This compression of tranquility and anxiety, of blessedness and its withdrawal, summarizes the power that we also detect in John Goodlett’s journals and letters.
A little further into Storm of Steel there’s a second passage that illustrates nature’s eternal return:
“Rank weeds climb up and through barbed wire, symptomatic of a new and different type of flora taking on the fallow fields [between the front lines]. Wild flowers, of a sort that generally make only an occasional appearance in grain fields, dominate the scene; here and there even bushes and shrubs have taken hold. The paths too are overgrown, but easily identified by the presence on them of round-leaved plantains. Bird life thrives in such wilderness, partridges for instance, whose curious cries we often hear at night, or larks, whose choir starts up at first light over trenches” (ibid.:41).
Ecological succession unfolds even in the most forbidding circumstances. Nature is that stubbornest of all habits.
Storm of Steel is worth your time (though not without some gruesome moments). Jünger knew the fear of war but never the fear of writing about it. By giving us a polished but truthful account, he goes beyond the moralism that actually detracts from depictions of the Devil’s great gift to humanity.
Joe Ford of Louisville offered these thoughts after reading the post “Home on the Ridge,” which ponders whether an affinity for the outdoors can be inherited. If you would like to submit a blog post for Clearing the Fog, contact us here.
When we were young, weather permitting, my parents would stuff all eight of us children into the car and head south out of Louisville to Bernheim Forest.
Once there, the doors flung open and we loudly poured out. Save for a couple of ponds where you could feed the (kind of scary, tall as us) Canada Geese with a fistful of corn from a converted gum ball machine, there wasn’t much there except the miles of expansive woods, rocky streams full of crawdads (“Oh sister, I have a surprise for you!”), and a few picnic areas good for frisbee and football. Perfect. And almost deserted. Toward evening, the deer would steal into the meadows and we fell silent and talked in whispers.
At times, though, we drove right past the entrance to Bernheim, continuing west then south down SR 245 to Bardstown, past the Cathedral, south across the bridge at Beech Fork and left at the tiny sign that simply read “Trappist.”
Once inside the stone walls that flanked the parking lot for the Abbey of Gethsemani, we knew to keep our voices hushed and our steps measured. No one told us. It was just the nature of the place.
My Dad would slip inside the gate house and let the brothers know we were there. We’d drive or walk across the fields to the edge of their woods and haul our picnic fixings up to a few tables scattered among the trees. We were popular picnic company, as we came bearing fried chicken and beer—neither a normal item on the monks' menu.
(I know I don’t need to say this to the readers of this blog, but just in case it somehow falls into the wrong hands… You cannot just show up and invite the monks out for a couple of cold brewskies and fried chicken. My father taught them philosophy and maintained ongoing friendships with many of them. You have to bring St. Thomas, too.)
Afterwards, we would walk the woods and then attend vespers or compline before heading back home, a quieting and sacramental end to the day. In later years I’d walk those woods again, a little more cognizant of “the nature of the place.” But what stayed with me was the sense that every wood, every meadow at evening, was imbued with meaning, with beauty, was sacramental. That is, whether considering the joy of Bernheim or the sense of the sacred at Gethsemani, in my young mind they mixed; woods were woods, and woods were sacred.
Why do we have such a sense of awe for nature, such reverence? Think of all the cultures that consider the woods or the mountains either sacred in themselves or as the dwelling place of gods. The Incas in South America. The Sherpas in Nepal. Where in our brain—or should I say soul—is that, and why? Of what evolutionary advantage is that? Or, purely from an aesthetics point of view, why do we think they are beautiful? Why are they pleasing to us?
I’d like to think it is the little bit of divinity in each of us that connects with nature's sublime beauty. We recognize and respond to the Creator's presence there amid the mountains and the trees and the gurgling streams. It’s why we say we feel at home.
"Home on the Ridge" ended with a quote from Henry David Thoreau. I will take that as permission to end this with a rather long quote from a resident of the abbey itself. I’ve loved this passage for years, but only noticed just now how much Merton recognizes the echoes of the divine in nature.
"The Lord plays and diverts Himself in the garden of His creation…,We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash—at such times the awakening, the turning inside out of all values, the “newness,” the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance…
"No despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not.
"Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance."
—Thomas Merton, New Seeds of Contemplation
David Hoefer, co-editor of The Last Resort, shares a contemporary view of Kentucky’s Salt River. If you would like to submit a blog post for Clearing the Fog, contact us here.
Recently, while driving south on I-65 from my home in Louisville, I reached the point where Salt River passes underneath the interstate near Shepherdsville. From here the river flows west toward its confluence with the Ohio River at West Point.
What I saw that day was very similar to what appears in the accompanying photo. The river bloomed with colorful innertubes whose passengers were basking in the glow of sunshine and (who knows) maybe an occasional adult beverage or two. I had a good laugh, because I’ve trained myself to think of Salt River as Pud’s private Arcadian getaway. But other people have other ideas about possible uses for this natural resource.
Awesome Lazy River evidently sponsors these Salt River floats most summer weekends, creating a motley human carnival on the river. It’s a far cry from the mid-century black-and-white images of intrepid fishermen in waders standing in the shallow riffles near Camp Last Resort. Indeed, the American entrepreneurial spirit is something to admire.
As I continued traveling south, I pondered the paradox, remembering that even Thoreau’s cabin at Walden Pond was within walking distance of an already substantial civilization. It appears that we humans continue to find respite in nature, especially when the comforts of society are close at hand.
In loving memory of Dr. William S. Bryant (November 9, 1943 - August 5, 2019).
The Last Resort never would have been published without Bill Bryant.
Shortly after his article about John C. Goodlett appeared in the Kentucky Journal of the Academy of Science in 2006, Billy—as I had always heard him called—got word to me that he would be talking about the paper at a meeting of the Anderson County Historical Society. Since I was working in Lexington at the time, I contacted Bobby Cole, my dad’s good friend and fellow architect of Camp Last Resort, and offered to take him to the meeting.
When we arrived, I saw that at least one more of my dad’s Lawrenceburg High School classmates was there: W. J. Smith. It was a remarkable evening of two generations sharing stories and reminiscences. I was astonished that, more than 40 years after his death, my dad’s contributions to the scientific community had prompted both Bill’s article and this hometown gathering.
They’re all gone now—Bobby, W. J., George Jr., Lin Morgan, Rinky, John Allen, Jody—and now Bill Bryant is gone, too.
Before the article was published, I had had no idea that Bill was working on it, no idea that he had been talking to my dad’s old colleagues (Reds Wolman, Alan Strahler, and Sherry Olson, for example). I now understand that Bill had discovered the very correspondence between my father and his Harvard Forest mentor, Hugh Raup, that I reviewed in detail just last month.
In short, I had no idea that there was still any interest in my father or his work. But what I learned was that Bill knew more about my father than I did.
Twice he led me out to my dad’s old camp on Salt River. I had never been there before. It had evidently never occurred to anyone else in those 40 years that I might like to see the place that was so special—almost sacred—to my father.
A few years later, as I worked on the book, Bill patiently reviewed various sections for accuracy. He encouraged me. He believed what I was doing had value.
He also nudged me to include more about my mother in the book. I remember Bill visiting our home in the 1970s, talking with my mother, going over materials related to my dad’s work. I didn’t fully understand then what his interest was. But he was obviously taken with my mother’s intelligence, her courage, and her struggles to raise two daughters alone.
In the end, though, I couldn’t figure out how to incorporate more of her story into The Last Resort. I promised Bill I had another project dedicated to her. It pains me that he’ll never get to read the novel I wrote about her father. Bill loved reading fiction and he loved history. I think he would have been interested in my telling of this Kentucky tale.
I feel, in a way, that I’ve lost another family member—yet one more of the few remaining connections to my father. Just as I wrote recently that I wish I could have walked the woods with Pud and gleaned a thing or two from all that he knew about its inhabitants, so I wish I could have walked the woods one more time with Bill.
When I was 15, I attended a boarding school in the Shenandoah Valley of Virginia. How I ended up there is a long story, and I won’t bore you with that. But I was attracted to the school largely because its beautiful old building—originally a Queen Anne style wood-shingled resort hotel--was butted up against a mountain. In addition, one of the school’s most renowned features was its equestrian program, which prepared well-heeled young ladies for the pageantry and horsemanship of local fox hunts.
Like most girls my age, I was a horse enthusiast. I had attended summer camps where I learned to ride and care for horses. I had even tried a little “hunt seat equitation,” learning to coax those thousand-pound athletes over a variety of fences. I was tiny, however, and although very little scared me, that did. So, after arriving at boarding school, I quickly realized the riders there were out of my league, in more ways than one.
I was more drawn to the mountains anyway. I signed up for every canoe outing, every hike. I rode my bike over to Staunton. I played a lot of tennis on the school’s courts, partially to soak in the view of the mountain at the edge of campus. I reveled in the heavy snowfalls in the winter.
It was year-round camp, with a healthy dose of academics on the side.
Since then, I have harbored an affinity for mountains that is hard for me to explain. I was born in a city, spent my early years in another East coast city, and came to maturity in a small town in central Kentucky, far from any mighty peaks. But I crave spending time in the mountains. I heave a deep sign of contentment the minute I see the mountains looming as we drive east toward the Appalachians.
In the novel I just completed, I describe how Effie Mae feels as she leaves the looming mountains of Bell County for the first time. To capture her thoughts, I relied on the visceral sadness I experience when we drive home toward the Bluegrass.
While in New England recently, we made a short side trip to Mt. Greylock, the tallest mountain in Massachusetts at nearly 3,500 feet. From its summit, you can see mountain ranges in at least four states. That, indeed, is heaven for me. We had time to hike a rugged loop trail part-way down the mountain and back up, briefly segueing with the Appalachian Trail. I was happy.
I don’t know if you can inherit a love of the outdoors or a near-physical need to be in the woods. But after recently reviewing scores of photos of my dad in the field mapping the trees of our eastern forests, I have to believe it’s possible. How I regret never being able to walk the woods with him, learning a tiny portion of what he knew. How fortunate I am to have this time in my life—that he never did—to leisurely explore the quiet majesty of those mountains, before human indifference threatens their very existence.
After visiting Mt. Greylock, Henry David Thoreau wrote the following (which is engraved in a stone on the mountain’s summit):
"As the light increased
I discovered around me an ocean of mist,
which by chance reached up to exactly the base of the tower,
and shut out every vestige of the earth,
while I was left floating on this fragment
of the wreck of the world."
When I first saw the sign, I snickered.
I’ve been traveling a lot this summer—long days in a car, routines upended, meals eaten out—and I’m definitely more “thickly settled” than I’ve been in a while. That’s common for someone my age, I suppose. But the unexpected sign seemed a mocking public rebuke.
Of course, the sign was warning us of the population density outside Athol, Massachusetts. Here in Kentucky—a rural state by all accounts—we’re more accustomed to seeing “Congested Area” signs when a curve in the road reveals a cluster of homes or other indications of human activity.
Perhaps New Englanders adopted their expression back in the mid-1700s, when most of these towns were established. A few moments later, as we approached the iconic New England village of Petersham, there stood another “Thickly Settled” sign. I could count three or four houses dotting the rim of the beautiful town common, a gathering place for all 1,200 people who live there. The expanding roll around my middle, I thought, is denser.
By all appearances, Petersham hasn’t changed since the 1950s, when my family lived there. The Unitarian church is still at the center of the green, with the handsome stone library just a couple of doors down. Across the common, the general store still serves the residents, although the current proprietor is more interested in selling you healthy snacks than the cigarettes I remember buying there for my mother when we visited some years after moving away. The town hall is next door. And in the middle of the common is the obligatory bandstand, where we enjoyed a concert by the Petersham Band on Sunday evening.
The closest gas station? Fifteen minutes north or south of town.
Harvard Forest, the 4,000-acre research forest where my dad worked, is just down the road. We were in Petersham to meet with the director of the Forest, David Foster, who had invited us to review the voluminous materials relating to my father’s work currently housed in their archives. Julie Hall, Harvard Forest archives assistant, had covered a long cherry conference table with sleeves of photos, scrapbooks, published materials, bulging pocket folders of research notes and presentations, and correspondence between my dad and other staff scientists. I couldn’t hold back a few tears as I surveyed the treasures on the table and considered the painstaking care of the archivists who had stored these materials for nearly 70 years. I settled in at the table and consumed as much as I could in the few hours I had.
Then we headed back outside to walk through the surrounding woods, the target of much of the research ongoing at the Forest. I discovered that Prospect Hill Road—a path my father frequently mentions in the journal he kept while at the Forest—is not a road at all, at least in our lifetimes, but a 2.5-mile loop trail through the forest, passing tagged trees and research equipment. We walked amid beeches, oaks, pines, and maples; dense ferns nearly disguising stone walls built by early settlers; twisted trees that survived the 1938 hurricane; hemlocks severely threatened by the woolly adelgid; 300- and 400-year-old black gums in a swamp area. It is a gorgeously diverse woodland.
Back at the parking lot in front of Shaler Hall—the red brick office and classroom building named for Kentucky’s own Nathaniel Southgate Shaler—I looked around one more time at the buildings and the land so familiar to my parents so many years ago. As a young couple hoping to start a family and build a career far from their Kentucky home, my parents faced many challenges while in Petersham. But the area evokes a sort of nostalgia for me. My dad still has a presence there. The people welcome us as if we naturally belong. The woods beckon. In town and at the Forest it’s as if time has stood still, even if my graying hair and growing girth attest otherwise.
For an up-close view of the work going on at Harvard Forest and how scientists there are striving to measure the toll of climate change, I highly recommend Witness Tree by Seattle environmental reporter Lynda V. Mapes. You can watch the daily changes in the 100-year-old red oak she observed for more than a year by accessing the Harvard Forest webcams here. Scroll to the bottom of the page for a view of Mapes’ witness tree.
Thor finally took a day off.
Mind you, not a full 24 hours. But from sunup to sundown on Friday we had no storms. No rain. We even had some moments of sun. It was a welcome respite after days of threatening weather.
But later that night, the heavy rain returned and we’ve bounced in and out of splotchy sunshine and rowdy storms ever since.
I’ll spare you another screed about climate change. What’s the point? We’ve all heard about continuing flooding across the Midwest, the South, and even the Northeast. Homes and businesses damaged, lives lost. Let’s just get used to it, shall we?
Now that summer is here, the forecast indicates we may finally move into a drier pattern, at least temporarily. The Mississippi River is below flood level in some areas. Sunshine is predicted here in Kentucky this week. There may be opportunities to get out and enjoy the seasonal wildflowers as they once again stand tall among the impudent mushrooms.
Unlike Thor, I’ve managed to take more than a day of rest this month. I’ve backed off the writing and editing to relax those literary muscles before the next phase. Perhaps in July I’ll hunker down again and reacquaint myself with a more disciplined daily routine.
But it has been nice to look up from the task at hand and engage with the world beyond my computer screen. And I’m glad Mother Nature granted me one day to paddle around the lake and visit some of my amphibious neighbors.
If Sol does indeed manage to disarm Thor for a few days, I’ll wipe off the mildew and head back outside to pay homage to brighter days ahead.
On Monday, May 6, the world learned how the United States intends to monetize climate change for our benefit.
While speaking at a meeting of the Arctic Council in Finland, Secretary of State Mike Pompeo never once mentioned the phrase “climate change,” even though the council has recently focused most of its energies on this issue in that increasingly fragile region. Newsweek reports that Pompeo did, however, point out that “Passageways opened up by retreating sea ice could turn the Arctic into a ‘21st century Panama Canal,’ creating new trade routes that could ‘potentially slash the time it takes to travel between Asia and the West by as much as 20 days.’”
In other words, as the ice melts and polar bears, seals, and Arctic foxes lose their habitat, humans will have unfettered access to the treasures beneath the ice, which we will then distribute to American households in record time. Oh goody. The AP reported that “[Pompeo] called the Arctic ‘a frontier of opportunity and abundance’ with untouched oil and gas reserves, unmined uranium, raw earth minerals, precious metals and gems.”
So for those of you worried that melting polar ice might lead to devastating flooding, punishing storms, loss of habitat and inhabitable land, and the demise of native species, fear not. Speedier trade with China and Russia and access to new oil and gas reserves will offset all of those chimerical problems.
What made the Secretary of State’s seemingly careless but certainly intentional comments even more disturbing was the release that same day of the UN’s global assessment report on biodiversity and ecosystems. As Brad Plumer of the New York Times wrote:
“The findings were sobering: Millions of acres of wetlands and rain forests are being cleared away. As many as one million plant and animal species are now threatened with extinction because of farming, poaching, pollution, the transport of invasive species and, increasingly, global warming. Almost everywhere you look, nature is vanishing before our eyes.”
But, it appears, nobody much cares. Especially not our national leaders. Which is why the hundreds of international experts who collaborated on this report tried to frame it in terms that will help humans—the sentient perpetrators of much of this willful destruction—understand what price they will pay for this assault on the earth’s biodiversity. In brief, our quality of life will suffer as we deal with such inconveniences as costly natural disasters that upend our lives and diminishing foodstuffs we have come to crave.
According to Plumer, the report takes pains to explain how “Natural ecosystems…provide invaluable material services to people, from mangrove forests that protect millions from coastal flooding to wetlands that help purify our drinking water to insects that pollinate our fruits and vegetables. The loss of wild plant varieties could make it harder in the future to breed new, hardier crops to cope with threats like increased heat and drought.”
If the science behind this catastrophic issue won’t rouse you to take notice, perhaps poetry will. Plumer concludes his article with this metaphor presented by Sandra M. Díaz, a lead author of the report and an ecologist at the National University of Córdoba in Argentina:
“Life on Earth is an intricate fabric, and it’s not like we’re looking at it from the outside. We are threads in that fabric. If the fabric is getting holes and fraying, that affects us all.”
Mike Pompeo, in his threadbare suit, might want to pull on a plastic rain slicker to protect himself from the big one.
David Hoefer, co-editor of The Last Resort, looks skyward for inspiration. If you would like to submit a blog post for Clearing the Fog, contact us here.
My favorite science fiction movie is The Thing from Another World, produced (and possibly directed) by Howard Hawks in 1951. Based on a classic John W. Campbell pulp-magazine story, The Thing tells the tale of a group of American scientists and military personnel stationed in the remote Arctic North who fight off a superhuman alien invader with a crash-landed UFO that is likely in the vanguard of worse things to come. The movie ends with the victorious survivors gathered around journalist Ned Scott filing his news report over the radio. Scott admonishes his listeners to be prepared for further trouble; indeed they must remain alert and, he says, “Keep watching the skies!” [photo credit]
That phrase has always stuck with me, though without the sense of impending danger that is integral to the movie. No, the reason to keep watching the skies, especially after dark, is the beauty it reveals and the pleasure it brings. Though mostly unmentioned in The Last Resort, I have to imagine that Pud and his pals indulged in some nighttime sky-watching of their own. (There is, for instance, a reference to a beautiful moonlit evening in the entry for May 29, 1942.) As soon-to-be scientist and soldier John Goodlett would have known, nature is not limited to Earth.
This same realization came to me during a recent late-night foray in celestial observation. I was outside in pleasantly cool weather, head tilted up and eyes straining, to see the Lyrid meteorite shower, which reached peak viewing in Louisville during the evening of April 22. An hour of intermittent scrutiny netted three sightings, with a possible fourth. Of course, stargazing was made for ancient agriculturalists and mountaintop astronomers rather than dwellers of the inner suburbs. I’ve never forgotten the spectacular night skies over Ghost Ranch from my digging days, when I was looking up in the dark rather than down in the dirt. The fewer the humans, the better the viewing, and north-central New Mexico is a place of relatively few humans.
That said, I had some limited success on the 22nd with the aid of high-tech tools: a Web site, Timeanddate.com, which first clued me in that there was a reason to go outdoors, and an iPhone compass, which helped me locate the Lyrid radiant in degrees azimuth. (I had to guess the altitude, using the much-less substantial protractor I carry around in my head.) That wasn’t the only technology that popped up on this occasion. I was surprised by the number of off-planet contraptions—some jets but also quite a few satellites—that were partaking of arcs through the sky. The spangling but austere nights of a world before the Wright Brothers are being replaced by busier tableaux, like a gentle picnic suddenly swarming with fire ants.
Meteorites are aptly described as shooting stars. Those I saw appeared in brief flashes, streaking parallel to the horizon rather than moving to intercept it. My iPhone compass may have been useful but not so the camera; the seemingly random appearance of the Lyrids made obtaining a still photograph impossible. I’d have been better off with a time-lapse device, the visual equivalent of a Geiger counter. What images I do have are salted away in memory, but I’ve included these graphic elements from the Internet, as inexhaustible in its way as the infinite skies that surround us.