I’ve never liked Father’s Day. My father died unexpectedly when I was seven, and I’ve felt cheated ever since. I could happily wipe that holiday off my calendar.
This year, however, marking Father’s Day is putting a smile on my face. Recently, my cousin Bob Goodlett had some iconic family video digitized to share with relatives near and far. Today, I’m sharing my Father’s Day joy with you.
It turns out that my Uncle Leonard Fallis, husband of my dad’s older sister, Virginia, had an 8mm movie camera as early as the 1940s. I don’t recall ever having seen the following clip before Bob shared it with us last month. But there’s my father, before the war and all the horror he witnessed, strutting around his family’s property in Lawrenceburg, Ky., in his University of Kentucky ROTC uniform, being silly, mugging for the camera, while his faithful dog, Mike, gambols at his feet.
The youngster at the beginning of the clip is my dad’s nephew Robert Dudley “Sandy” Goodlett, who died April 26, 2021. Readers of The Last Resort may remember references to “Sweetpea” visiting the boys’ camp. At the end of the clip, you’ll see my dad’s nephew Davy Fallis, aka “Sluggo,” who died March 7, 2018. One of the letters that Pud wrote to Davy and his parents while at basic training in Texas is included in Appendix A of The Last Resort.
During a Goodlett family reunion in 1984, I remember being emotionally walloped when one of the Fallises played some of their archival movie footage that, at the time, I had no idea existed. By that summer, my dad had been gone 17 years. Suddenly, on a small screen in a northern Kentucky hotel gathering space, there he was in an intimate, playful moment with my mother, shortly before they were married. I gasped, and then I sobbed. If they played more old footage of either of my parents that evening, I missed it. (That’s Davy Fallis again, chaperoning the scene.)
In the following clip, that footage is preceded by images shot on their wedding day, December 27, 1947. Lawrenceburg natives may recognize several in the wedding party: Lin Morgan Mountjoy, Bobby Cole, George McWilliams Sr., George McWilliams Jr., Vincent Goodlett, Ann McWilliams, Mary Jane Ripy, Ann Dowling, and Madison Bowmer (of Louisville).
In this era of cell phones and selfies and images and video shared instantly with the world, it may be hard to imagine what it means to me to have this rare video of my dad. I have only a few memories of him from my childhood. So seeing him move—his mannerisms and his interactions with others—makes him real. It confirms what others have told me in recent years about his sense of humor and how much fun he was to be around. And, of course, it confirms all that I missed by losing him at such a young age.
I am deeply grateful to Vince Fallis for preserving the original 8mm reels for more than 70 years and to Bob for making the video more widely available.
This Father’s Day, I am thinking about playful Pud, and I am having a good day.
The only other video of Pud that I’m aware of was shared with me by Bob Cole, Bobby Cole’s son. Appropriately, my dad is fishing. You can watch it here.
Only two children appear in The Last Resort, my dad’s 1943 Salt River journal: Sweetpea and Sluggo. The affectionate nicknames Pud had for his first two nephews tell you everything.
In March 2018, I memorialized Sluggo, aka Dave Fallis, the elder son of my dad’s sister Virginia Fallis, when he died after a long illness. Today, I honor Sweetpea, aka Robert Dudley “Sandy” Goodlett, the first son of my dad’s brother Billy Goodlett, who died unexpectedly Monday after a brief illness.
When David Hoefer, the co-editor of The Last Resort, suggested that we annotate many of the personal and historical references in the journal to provide a more fulsome picture of Pud’s world, I knew we had some work to do. David researched most of the historical and technical details. I started digging up information about Pud’s family circumstances and his Lawrenceburg friends.
The first person I called was Sandy. He was the Goodlett family historian, and he had sustained ties to Lawrenceburg longer than the rest of us. David and I met with Sandy in his office in the building I still think of as the old post office, and we peppered him with questions. He was able to answer most of them, and I think he reveled in being a critical informant for our project.
Soon I realized I wanted to make a trip to the Atlanta area to talk to a couple of the “boys” who used to join my dad at his Salt River camp: my cousin John Allen Moore and Lawrenceburg native Bill “Rinky” Routt. Sandy said, “Let’s go.” We picked a date and Sandy drove me and our cousin Bob Goodlett to Atlanta and back. During that trip, we were also fortunate to spend some time with John Allen’s younger brother, Joe Moore, and with Lawrenceburg natives Eugene Waterfill and Mary Dowling Byrne.
It was a magical trip. And Sandy made it happen. Today, of all my dad's family and friends we visited, only Joe Moore survives.
Sandy was always unselfish with his time and his wisdom. If I planned a family gathering, I knew he’d be there. In his van, we discovered we could talk for eight straight hours and still learn something new.
When Sandy died, I lost not only a beloved cousin and my go-to guy for all Goodlett family questions. I lost one more connection to the father I never really knew.
I’ve laughed this week with some family about Sandy’s rare equanimity and quietude in times of crisis and distress. That is not a typical Goodlett trait. Most of us are hard-headed and opinionated and high-tempered. We are intense and hard driving. Sandy kept his intelligence and his passion quietly under wraps. And when he offered us a glimpse, it was usually accompanied by that inimitable grin.
If we want to honor Sandy, we should all strive to approach life’s vicissitudes with his calmness and acceptance. We should strive to be as kind and caring as he was. And we should strive to love our family half as much as he did.
Read Sandy's obituary.
A few years ago, as I was piecing together my father’s youth from his writings and photos, it seemed clear that three of his favorite Anderson County haunts were the camp he built with Bobby Cole on Salt River, Lovers Leap, and Panther Rock.
Perhaps the latter two were preserved in words or pictures largely because they were notable local landmarks, scenic hideaways from what passed for civilization in the small town of Lawrenceburg. The fact that all three feature rocky outcrops overlooking moving water may reveal my father’s affinity for those natural features. Or perhaps it’s simply a testament to the magnetic beauty of the limestone palisades that dot the eastern Anderson County landscape.
In 2015, retired biologist and Lawrenceburg native Bill Bryant took me to Camp Last Resort for the first time. My own love for the woods and water made me wonder, somewhat peevishly, why no one had ever thought before that I might like to see the place that was so special for my dad. The photo on the cover of The Last Resort shows my father perched on a bluff above the small waterfall near his camp on Salt River. When I saw that photo, it seemed clear where I got my penchant for sitting with my feet dangling over a rocky cliff. (See photos below.)
I still have not been to Lovers Leap, the Kentucky River overlook near where I used to bike as a teenager, on rural roads I imagine my father also pedaled. But last weekend I finally made it to Panther Rock—unfortunately, too late for Dr. Bryant, the expert on Panther Rock, to accompany me.
I’m not sure what I expected. I had seen one photo of my dad seated below the rock face, but it had been hard to make out the full magnitude of what the picture relayed. When our small hiking party caught our first glimpse of the rock from the narrow approach path, however, I was dumbstruck by its immensity. We scrambled down the steep path and poked our noses into the cave at the bottom of the wall. We negotiated the fallen rocks and boulders until we reached the small stream dropping sharply away from Panther Rock.
The whole area felt mystical, magical, remote. I could not believe this gem lay hidden, at least for me—majestic and unexplored—as I grew up roaming the domesticated woods and creek behind my Lawrenceburg subdivision, just a short distance away.
In local mythology, Panther Rock got its name in 1773 when Elijah Scearce, a hunter and trapper from nearby Fort Harrod, was captured by a Native American chief. That first night a panther supposedly sneaked into their camp under the rock face and killed Scearce’s captor. Scearce then memorialized the area by naming it after the animal that had purportedly saved his life.
The area seems to have preserved its magic ever since. I am grateful to the property owners who permitted us to absorb its wonder for a short time on a bewitchingly perfect fall day. I can only hope that generations of future explorers who stumble into this sacred place will experience the same awe as their forebears. I know I could almost hear Pud and Bobby speaking in hushed tones as they pulled bacon sandwiches from their knapsack.
Bobby Cole at Lovers Leap in 1941. Photo taken by Pud Goodlett. On May 13, 1942, Goodlett wrote in his journal, "Rinky, Bobby, and I went to Lover’s Leap this afternoon. We saw the unusual red sticky flower, and lots of pinks, but outside of these, the day was very dull. Lover’s Leap seems to have lost its attraction."
More photos of Panther rock, november 2020
David Hoefer of Louisville, Ky., the co-editor of The Last Resort, offers an antidote for our trying times.
The last several months have brought us the unsatisfying spectacle of a nation of 325 million people devising on-the-fly strategies to outwit a virus. Yes, there is a novel pathogen on the loose and, yes, certain groups, mostly the elderly and other persons with compromised immune systems, do appear to have a heightened risk of serious infection. What remains less clear is the actual extent of the threat to other segments of the population. The public-health response has evolved over time—remember gloves sí, masks no?—but one persistent feature has been the need to close up the populace indoors, away from others of our kind.
This has proven problematic because modern humans—Homo sapiens—are profoundly social creatures. Efforts at selling “virtual communities” as replacements for flesh-and-blood gatherings are almost laughably off the mark. In reality, the antisocial practices of “social distancing” play to the worst aspects of American culture: the tendency to produce isolated individuals amusing themselves with trivial pursuits while failing at healthy, long-term relationships with family, friends, lovers, and neighbors. The longer we drag this out, the more likely unintended (and negative) consequences become.
Be like Pud
One sensible alternative to exile-at-home is the Great Outdoors. It’s becoming increasingly clear that fresh air and sunshine have been underutilized in our often-panicky response to COVID-19. Hiking, biking, picnicking, boating, fishing, and hunting are all good reasons for going outside, where the Earth’s ultimate limits remain hugely liberating, when compared to the four snug walls of our houses and apartments.
We used to understand that outdoor activities were beneficial for us. That was certainly the case for Pud Goodlett and the gang in The Last Resort. They went to the trouble of constructing a home-away-from-home, as a means of ready access to the varied and gracious Salt River environment of Anderson County, Kentucky. The cabin itself luxuriated in nature, with spiders, birds, weather, and even lightning intruding on occasion. This was no place to hide from the external world, calculating defenses against every potential risk to comfort and safety.
Though Pud was a budding botanist, his journals make evident a sustained interest in the taxonomic class of Aves—our fine-feathered friends of the sky. Taken seriously, birding is an outdoor diversion of the very best sort, appealing about equally to the beauty-seeking soul and truth-hungry mind of anyone who engages in it. A great resource for beginning birders learning the ropes or lapsed veterans knocking off the rust is the Cornell Lab of Ornithology. Corny Orny, as I call it, offers online classes, extensive databases, and cutting-edge digital apps that can greatly enrich your birding experience.
So be like Pud and light out for the world, even if it’s only your backyard or the local park. Our economy isn’t the only thing that’s been hurt by the corona shutdown. It’s time for us to get back to the business of being human.
Recently I wrote that I now have two books in my “catalog.” As I worked on the second book, it frequently occurred to me what strange bedfellows they are: a first-person narrative by a still innocent 19-year-old naturalist driven to document the flora and fauna inhabiting his halcyon getaway; and an almost gritty tale of a man stripped of his innocence who leaves his home behind and wanders from one commercial/industrial area to another with hardly a nod to the natural world around him.
I love to spend time outdoors, and I sometimes feel ill-at-ease in the city. I am the daughter of a naturalist, a scientist who could identify any specimen he encountered during an amble through the woods. I, however, was never disciplined enough to fully develop his prodigious skills. While I can identify many native woodland trees and common birds, the names of most wildflowers, grasses, and garden plants are a mystery to me. And I truly regret that I can’t recognize bird songs.
For years I was certain that that shortcoming alone disqualified me from writing a novel. Successful fiction is full of lush details of blooming flowers and the bees hovering around them. Or a prairie of grass and the animals that live there. Or a midnight sky and the constellations that awe us.
In “Seeing the World Around Us,” I mused about the importance of being able to name a thing for that thing to fully enter our consciousness. Without that ability, we are blind. We look past the diversity of life all around us. We come to consider ourselves the all-important foreground spotlighted against an indistinguishable background.
I still believe that my deficiency seriously weakens my ability to provide the sensory details readers need to feel a place. The plants and critters who share our space define our world, perhaps even define a part of who we are, even if we can’t always recognize them.
So when I had a story I just had to share with others, and a fictional narrative seemed the only way to tell it, perhaps I was fortunate that that tale largely unfolded in cities or confining indoor spaces—steamy kitchens, tiny apartments, the birthing bedroom. I stole a few opportunities to place my characters outside in the fresh air. In retrospect, it’s clear that my characters, like their creator, look outdoors when they are seeking balm for a troubled soul, or a place for reflection.
I was reminded of my inability to fulsomely describe a lush plein air scene as I read a recent article in Smithsonian magazine, sent to me by my cousin Barbara, about an acclaimed “naturalist, novelist, photographer and movie producer” whose name I had never encountered: Gene Stratton-Porter, born Geneva Grace Stratton in Wabash County, Indiana, in 1863. Perhaps I’m showing my woeful education by admitting I was not familiar with her, since both Rachel Carson and Annie Dillard cite her as a keen influence.
I have not read any of her work—fiction, nonfiction, or poetry—but I can only imagine the richness of the natural scenes she portrayed. Her intimate knowledge of the Limberlost wilderness she wrote about, gained during countless days exploring on horseback and waiting quietly for the perfect photo, must make her tales of plucky young girls and strong women come alive.
Stratton-Porter evidently brought to her writing both my father’s ability to document the natural world and my desire to tell a personal story. She had both the scientist’s eye and the writer’s imagination. In addition, she had the patience of a photographer, willing to devote the time needed to capture the most arresting photo, and then to indulge in the careful writing necessary to relay that vivid image, and her human response to it, in words.
Amid all her talents, Stratton-Porter most relished her simple sensory responses to the world she discovered while wandering outdoors:
“Whenever I come across a scientist plying his trade I am always so happy and content to be merely a nature-lover, satisfied with what I can see, hear, and record with my cameras.”
I, too, am a nature-lover, not an academic or a trained naturalist. As life seems to slow for all of us, perhaps this is the time I need to devote to not only admiring but learning to name the beautiful things that catch my eye and restore my soul.
The author of the Smithsonian article, Kathryn Aalto—a landscape historian and garden designer, as well as an author of several books—is herself a master at describing natural detail. Her first paragraph immerses the reader in northeastern Indiana’s Loblolly Marsh Nature Preserve, a small part of the vast swamplands that Stratton-Porter spent her life documenting:
“Yellow sprays of prairie dock bob overhead in the September morning light. More than ten feet tall, with a central taproot reaching even deeper underground, this plant, with its elephant-ear leaves the texture of sandpaper, makes me feel tipsy and small, like Alice in Wonderland.”
Stratton-Porter also recognized early the danger of mankind’s desire to tame the land for our own use. As Aalto writes:
“Twenty years before the Dust Bowl of the 1930s, Stratton-Porter forewarned that rainfall would be affected by the destruction of forests and swamps. Conservationists such as John Muir had linked deforestation to erosion, but she linked it to climate change:
“It was Thoreau who in writing of the destruction of the forests exclaimed, ‘Thank heaven they cannot cut down the clouds.’ Aye, but they can!...If men in their greed cut forests that preserve and distill moisture, clear fields, take the shelter of trees from creeks and rivers until they evaporate, and drain the water from swamps so that they can be cleared and cultivated, they prevent vapor from rising. And if it does not rise, it cannot fall. Man can change and is changing the forces of nature. Man can cut down the clouds.”
David Hoefer, co-editor of The Last Resort, shares a contemporary view of Kentucky’s Salt River. If you would like to submit a blog post for Clearing the Fog, contact us here.
Recently, while driving south on I-65 from my home in Louisville, I reached the point where Salt River passes underneath the interstate near Shepherdsville. From here the river flows west toward its confluence with the Ohio River at West Point.
What I saw that day was very similar to what appears in the accompanying photo. The river bloomed with colorful innertubes whose passengers were basking in the glow of sunshine and (who knows) maybe an occasional adult beverage or two. I had a good laugh, because I’ve trained myself to think of Salt River as Pud’s private Arcadian getaway. But other people have other ideas about possible uses for this natural resource.
Awesome Lazy River evidently sponsors these Salt River floats most summer weekends, creating a motley human carnival on the river. It’s a far cry from the mid-century black-and-white images of intrepid fishermen in waders standing in the shallow riffles near Camp Last Resort. Indeed, the American entrepreneurial spirit is something to admire.
As I continued traveling south, I pondered the paradox, remembering that even Thoreau’s cabin at Walden Pond was within walking distance of an already substantial civilization. It appears that we humans continue to find respite in nature, especially when the comforts of society are close at hand.
In loving memory of Dr. William S. Bryant (November 9, 1943 - August 5, 2019).
The Last Resort never would have been published without Bill Bryant.
Shortly after his article about John C. Goodlett appeared in the Kentucky Journal of the Academy of Science in 2006, Billy—as I had always heard him called—got word to me that he would be talking about the paper at a meeting of the Anderson County Historical Society. Since I was working in Lexington at the time, I contacted Bobby Cole, my dad’s good friend and fellow architect of Camp Last Resort, and offered to take him to the meeting.
When we arrived, I saw that at least one more of my dad’s Lawrenceburg High School classmates was there: W. J. Smith. It was a remarkable evening of two generations sharing stories and reminiscences. I was astonished that, more than 40 years after his death, my dad’s contributions to the scientific community had prompted both Bill’s article and this hometown gathering.
They’re all gone now—Bobby, W. J., George Jr., Lin Morgan, Rinky, John Allen, Jody—and now Bill Bryant is gone, too.
Before the article was published, I had had no idea that Bill was working on it, no idea that he had been talking to my dad’s old colleagues (Reds Wolman, Alan Strahler, and Sherry Olson, for example). I now understand that Bill had discovered the very correspondence between my father and his Harvard Forest mentor, Hugh Raup, that I reviewed in detail just last month.
In short, I had no idea that there was still any interest in my father or his work. But what I learned was that Bill knew more about my father than I did.
Twice he led me out to my dad’s old camp on Salt River. I had never been there before. It had evidently never occurred to anyone else in those 40 years that I might like to see the place that was so special—almost sacred—to my father.
A few years later, as I worked on the book, Bill patiently reviewed various sections for accuracy. He encouraged me. He believed what I was doing had value.
He also nudged me to include more about my mother in the book. I remember Bill visiting our home in the 1970s, talking with my mother, going over materials related to my dad’s work. I didn’t fully understand then what his interest was. But he was obviously taken with my mother’s intelligence, her courage, and her struggles to raise two daughters alone.
In the end, though, I couldn’t figure out how to incorporate more of her story into The Last Resort. I promised Bill I had another project dedicated to her. It pains me that he’ll never get to read the novel I wrote about her father. Bill loved reading fiction and he loved history. I think he would have been interested in my telling of this Kentucky tale.
I feel, in a way, that I’ve lost another family member—yet one more of the few remaining connections to my father. Just as I wrote recently that I wish I could have walked the woods with Pud and gleaned a thing or two from all that he knew about its inhabitants, so I wish I could have walked the woods one more time with Bill.
“I can’t believe those two boys built that cabin all by themselves.”
And with those words I discovered one more among us who still remembers Camp Last Resort along Salt River.
On Saturday I had the privilege of chatting at length with another of my dad’s first cousins: Jane Moore McKinney, the older sister of John Allen Moore to whom I dedicated the book. At age 96, her smile lights up the room and she demonstrates the same knack for storytelling as her two brothers. Her memories are clear and precise and she is a delightful conversationalist, even though challenged by encroaching deafness. Her grammar is impeccable, reflecting the education she received as a young girl at an Atlanta academy associated with Emory University (her father worked for the railroad at the time). For example, my editor’s ear perked up when I heard her say, “He was seven years older than I…”
She talked of our Aunt Sallie hauling heavy containers of milk from Grandpa Moore’s milking barn to the road to be picked up by a truck from the cheese factory in Lawrenceburg. She described how her future husband, stationed at a Navy facility outside Atlanta during World War II, leaned out of a passing streetcar madly calling her name as she stood along Peachtree Street. (She had met him once before. Click here to listen to her relay that scene.) She described life in 1940s boarding houses and sharing a bathroom with four other couples. I learned that before her marriage she had dated my mother’s cousin—and my father’s friend and classmate—George McWilliams, whom she spoke of repeatedly and fondly.
When I talked to her on the phone about a month earlier, using a TTY device, she assured me drolly, “I inherited the deafness: It wasn’t something stupid I did.” She wanted to be sure we knew she had been driving and attending her weekly supper parties just a couple of years ago. Spending time with her this weekend, I have no doubt she charmed everyone at those gatherings. Now, frustrated by having to rely on a wheelchair, she seems bewildered that her body has begun to bow to age.
I had met Jane briefly at a couple of family funerals. I knew she was fond of my dad. But, inexplicably, I had never made the short trip to Owensboro to get to know her or her children.
So the traveling trio of Goodletts—my cousins Sandy and Bob and I—arranged a brief visit with Jane, her daughter Jane Allen, and her son Jim. This is the legacy of publishing The Last Resort. By delving a bit into my father’s story, I have been inspired to spend time with family I hardly knew. I am getting to know John Allen’s family and Jane’s family, and I have visited their brother Joe and his wife, Jean, who rescued me when I was a lost high school student in Atlanta years ago. I have spent hours talking to two of my first cousins as we traveled across the South—two cousins who had launched their careers by the time I was a child settling back in Kentucky after my father’s death. I look for reasons to get in touch with my McWilliams cousins, my Hanks cousins, and my Birdwhistell cousins. And I am delighted by all my interactions with them.
Unexpectedly, I am finding family and family connections endlessly fascinating. I wish I had had the impetus long ago to reach out to them. As one of the youngest of my generation, I think I was mildly intimidated by all my interesting older cousins. But I’m glad I rounded up the courage to push myself into their lives in some small way. And I am deeply grateful for the opportunities to get to know them.
Jane's daughter, Jane Allen McKinney, is a nationally recognized artist. Her immense sculpture, towering over the Tennessee State University Olympic Plaza, is constructed of metals representing the actual percentage of gold, silver, and bronze medals the university's athletes have been awarded.
Joe Ford of Louisville, Ky., is a longtime friend of David Hoefer and Sallie Goodlett Showalter, co-editors of The Last Resort. If you would like to submit a blog post for Clearing the Fog, contact us here.
Recently, David Hoefer and another mutual friend, David Summerfield, invited me to join them on a fishing trip to the Cumberland River in South Central Kentucky. This has become an annual pilgrimage for the two Davids, a chance to haul in very large trout in the turbulent waters just below Wolf Creek Dam.
Reminded that the window of opportunity would soon open for the Pud Goodlett Memorial Fishing Tourney we proposed last summer, I took to scanning The Last Resort for all things fishing: species, methods, tackle, places.
I am constantly amazed at the detail Sallie and David brought to the book and to this blog, from fishing tackle to taxonomy to the political history of Salt River, not to mention Sallie’s amazing grasp of the connections between her own far-flung relatives and the other boys of The Last Resort.
As I browsed the Bibliography included in The Last Resort for fishing-related information, I ran across this entry: Why Big Fierce Animals Are Rare: An Ecologist’s Perspective, by Paul Colinvaugh. It turns out that this is a fairly well-regarded collection of essays, as much for its accessibility for non-specialists as for its scholarly worthiness. In essence, it is about ecological niches.
But, for me, the content is not the attraction. It's the title: Why Big Fierce Animals Are Rare.
I instantly added it to my mental collection of great titles, names, and places. In case you’re wondering, this collection also includes things like the most boring book ever, spied in the window of Blackwell’s bookshop in Oxford, England: A History of Foreign Language Dictionaries. Then again, you probably weren’t really wondering.
The attraction of Colinvaugh’s title is actually imagining its opposite: What if big fierce animals were not rare? Isn’t that fun? You have to admit that crows, turtles, and squirrels were not exactly safe around the boys’ camp. So let’s start with fierce (cue Randall’s honey badger vid).
What if those crows had been of the sub-species corvus beakus horriblus, like the crows in Hitchcock’s The Birds? Envision the boys huddled in the cabin as the birds swarmed and cawed and screeched and pierced the wood with their large beaks. Don’t laugh. If it could happen in Bodega Bay, it could happen in Lawrenceburg.
Or the turtles, terrapin humongosoid. Imagine an entry in the journal about how JCG and Jody had to rescue Bobby Cole after a humongous turtle had latched on and was trying to pull him under.
You want big and fierce? What about the squirrels, squirrelsaurus rex? Big as a kangaroo, they might subsist on deer, stray dogs, and, well, go for it, Joe: terrapin humongosoids. Massive enough to shake the ground when they walked, these predators would chase the boys back to the cabin—JCG, Bobby, and Jody dropping fish offerings as they ran and then hiding inside the cabin's sturdy walls until the danger had passed.
Finally, let’s not forget the fish and predatarus toothus. I’m not suggesting that piranhas are actually in Salt River, though it is a fresh water species native to our hemisphere. I feel I would be remiss, however, not to point out that pythons have taken over the Everglades.
I’m sure Salt River has plenty of smallmouth and blue gill for the Davids, and I’m happy to compete in the tourney for bragging rights.
But I will say this: You go in first.
April 14, 2019
Joe Ford responds to Barbara Fallis' comment (see below).
Barbara, you are very perceptive to grasp our fishing prowess so quickly. As a matter of fact, we did catch fish so big they would not fit in a photo. But obviously that meant we could not publish a photo of it. Here is a pic of a slightly smaller fish but still so big that only his eye fit in the picture! Next time we’ll take a bigger camera.
I was going to mention this in the blog article, but I thought people would just think I was being absurd.
One of the unexpected joys (or terrors, depending on when you ask me) of having published The Last Resort has been the opportunity to talk about the book to various civic or environmental groups. On Tuesday, I spoke to nearly a hundred farmers and civic leaders in Paris, Ky., at the Bourbon County Conservation District’s 60th Annual Dinner Meeting. The food, prepared by a men’s group at the Church of the Annunciation, was outstanding and the crowd was friendly and welcoming. I was honored to donate a generous honorarium for my presentation to the Woods & Waters Land Trust, an organization dedicated to protecting forests and streams in the Lower Kentucky River watershed.
The theme for the Kentucky Department of Natural Resources’ annual essay and art contests, sponsored by the local conservation districts, was “Diggin’ It”: soil as the foundation of life. I had little trouble connecting that theme to my father’s love of the rural central Kentucky land and his collaborative research with soil scientists and geologists later in his career. A quote from one of his contemporaries, which was included in the event brochure, summed up the focus of the evening:
“Essentially, all life depends upon the soil…There can be no life without soil and no soil without life; they have evolved together.” –Charles E. Kellogg, third Chief of the USDA’s Bureau of Chemistry and Soils, 1938
A presentation last October before the Anderson County Historical Society led to another unexpected invitation: putting together an exhibit about my family history at the newly refurbished Anderson County History Museum. I spent a good deal of time this spring talking with family members and collecting photographs and other memorabilia for the display. It has been exciting to work on a project that connected my father’s side of the family—featured in The Last Resort—with my mother’s side of the family—featured in the novel (tentatively titled Next Train Out) that I’m about to wrap up.
In the photos below, the portraits on the wall are of George Dennis McWilliams Sr. (1893-1982) and Mary Marrs McWilliams (1894-1977), my great uncle and aunt.
The exhibit will be on display from April 2 through at least the end of the month. If you can find an excuse to travel to downtown Lawrenceburg, I hope you’ll stop by and take a look. We’ve left a notebook there for you to record your comments, insights, or any family stories of your own you’d like to share.
Anderson County History Museum
108 East Woodford Street
Lawrenceburg, KY 40324
The museum is inside the Tourism Office, just around the corner from Main St., in the old Carnegie library building (where my grandmother Nell Marrs Board worked for many years). It’s generally open weekdays during regular business hours, but you may want to call before you go. Kendall Clinton, the executive director of the Lawrenceburg/Anderson County tourism commission, may also be able to arrange a weekend visit, upon request.